The “death” of horror is always hyperbole, often merely declaring the end of a particular trend within the genre, but in the case of the 50s there was a great deal of truth to the rumors. In the late 1950s, that film was The Curse of Frankenstein.
It seems that every decade or so the horror genre is declared dead only for a groundbreaking film to come along and resurrect it. But whenever ready, we’re hanging out – if you want us to come back in and take a stab at it.”
Myrick explained to Bloody Disgusting’s The Boo Crew Podcast back in 2020, “ been too interested in our input, which is sort of ironic. Alas, none of those projects have ever come to life on the screen, as Lionsgate has had different plans. Myrick and Sanchez have talked about everything from a sequel to Rustin Parr/Elly Kedward standalone movies, hungry to dive in and expand upon the Blair Witch universe. Oddly enough, creators Daniel Myrick and Eduardo Sanchez didn’t have much creative input on either of the follow-up films, despite having a wealth of ideas. The 2016 sequel, directed by Adam Wingard, wasn’t exactly a big hit at the box office, but the original film’s directors have never given up hope on someday returning to the franchise to pump new life into it. Head over to pay-to-read website The Ankler for more on this story. Sneider tweets, “Start prepping those pitches, genre scribes, because it sounds like Lionsgate is ready to venture back into the woods again for another BLAIR WITCH PROJECT, since good IP is never truly dead in the Streaming Age…”
But what’s next for Blair Witch as a film franchise, you ask?Īccording to Jeff Sneider over on The Ankler, Lionsgate is reportedly looking to relaunch the Blair Witch Project franchise, six years after Blair Witch was released into theaters. Products featured are independently selected by our editorial team and we may earn a commission from purchases made from our links.Found footage masterpiece The Blair Witch Project came along and changed the game back in 1999, subsequently spawning its own sprawling universe of media, including official follow-up films in 20 as well as multiple books and video games that have served to deepen the lore.
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From an ill-fated movie that “ended” in a haunted forest to a suburban couple lost forever to dark forces, found footage is at its arguable best when toeing the line between fantasy and reality, bending it until it disappears.Īhead, a dozen of the very best found footage movies ever made, from the standard-bearers like “Blair Witch” and “Cannibal Holocaust” to underseen low-budget wonders like “Lake Mungo” and “Willow Creek” to bonafide blockbusters like “Paranormal Activity” and “Cloverfield,” plus all sorts of chilling (and very, very “real”) treats in between. Horror filmmakers have always been canny creators, using what’s available to craft all manner of scares and, in the three decades since “The Blair Witch Project” changed the game, what’s become more scary and more omnipresent than technology that can record every inch of the real world?Īnd that’s the great trick of found footage: sometimes, just sometimes, if the films are really good and the people behind them are really adept at getting into the gag, they can convince their audience it truly is the “real world” they’re watching on the big screen. Found footage films don’t exclusively belong to the horror arena - some film historians even posit that the first found footage film was an experimental joint by Shirley Clarke about drug addicts, certainly its own kind of horror story - but the technique has become so prevalent within the genre that it’s almost impossible to extricate them from each other.